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ROCK N' ROLL & BAT OUT OF HELL

Rock n’ Roll has long been an “indicator of dramatic changes occurring in the social and cultural worlds of adolescents” (Kotarba 398). This indicates the nature of rock n' roll and adolescents towards angst and rebellion a natural one. Rock n’ Roll frontrunners like Elvis appealed to teenagers and young adults for this reason. Elvis, when he appeared in the 50's, was a gyrating, controversial artist -- presenting Rock n' Roll as a product of the rebellious counterculture to musical and cultural norms. From then on, Rock n’ Roll is considered the “soundtrack to American culture” (Kotarba 398). [Leading to the diversification of rock n' roll to continue to form and remove itself from common culture -- the desire not to be "the soundtrack to American culture"].
Jim Steinman and Meat Loaf presented the album "Bat Out of Hell" to many record companies -- being denied by all of them. Steinman, who wrote the album for Meat Loaf to perform, was mocked by Clive Davis. Davis told Steinman "he should buy some rock records and learn how to write songs" (Whitaker). Finally, Todd Rundgren produced "Bat Out of Hell" -- relucatantly. Though he was less than excited, it was soon found that Rundgren produced "an usual, eclectic, and ultimately groundbreaking record" (Whitaker). The album was insanely popular, despite its haters, and thus, "Bat Out of Hell" launches Meat Loaf into post-"Rocky Horror" fame.
(L) Album Artwork by: Richard Corben -- (R) Michael Putland / Getty Images

It is curious that, though the album was apparently despised by those in the industry, it was taken so well and was, ultimately, very successful with its audience. Meat Loaf is categorized as rock-opera, a term that, when the album came out, was fresh to many folks as Rock n’ Roll became sub-genred out to account for “intricate differentiation of rock styles [which] began during their youth in the 60’s and 70’s” (Kotarba 400). As Stephen Davies points out in "Rock versus Classical Music", rock-opera is is a genre that exists in the "grey area" between rock n' roll and classical music -- it is outside of the boundaries of both, placing its roots in both and neither at once.